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It will explore the different art styles, Western and Chinese, that inspired their architecture over the course of time, and will show that the builders of these tombs did not merely copy Western or Eastern models, but in an eclectic way often combined both, and sometimes merged various traditions into one.Many of these mausoleums are a synthesis of East and West, reflective of the The vast necropolis in the north of Manila actually consists of three distinct and separate cemeteries, namely the Cementerio del Norte (North Cemetery), the La Loma Cemetery, and the Chinese Cemetery.In 1882 the Cementerio General de La Loma, built in old-fashioned Spanish-Mediterranean style, was laid out to accommodate victims of the devastating cholera epidemic of the same year.It later merged with the new Cementerio de Binondo (originally founded around 1850, but rebuilt in 1884) immediately adjacent to it.Especially in the fast developing megacities of Asia-Pacific, where history, art and beauty are all too readily sacrificed in the name of rapid “development” and unreflected “progress,” cemeteries, now rare oases of quiet and greenery, have become precious repositories of the past, be it history, art, or architecture.This applies in particular to Manila, where a destructive tropical climate, war and overcrowding, but especially massive re-development, has since 1945 erased much of its built heritage.

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It is such devotion that explains masterpieces of human creativity and vision such as the Taj Mahal in India, embodiment of a great love chiseled into white marble over decades.As the frenzy to demolish and rebuilt “bigger and better” (and more profitable) continues unabated, Manila’s vast necropolis in the north of the Sta.Cruz district has become a veritable museum of the artistic and architectural styles that shaped the face of the surrounding city over the past 150 years.The Chinese Cemetery, finally, is multi-denominational and includes Christian, Buddhist and Taoist burials.Its history dates back to 1843, when the Governor General authorized the Chinese to establish a cemetery in La Loma.The funerary architecture of the vast 19th-century Chinese Cemetery in Manila differs markedly from other Chinese cemeteries in Southeast Asia.This paper describes the development of this architecture and its many styles rooted in Western and Chinese artistic tradition, their symbolic meanings and significance.Non-sectarian in nature and municipal-owned, its generous park-like layout, complete with carefully planted sumptuous vegetation and shade trees quickly made it the resting place of choice for the Manila elite.In contrast, the Catholic La Loma Cemetery dates back to the late Spanish era.Moreover, the parallel existence and gradual blending of Spanish-Catholic and Chinese Taoist and Buddhist religious and cultural influences sometimes led to surprising and creative artistic and architectural solutions which espouse the identity of the s.se distingue sensiblement de celle des autres sites funéraires chinois d’Asie du Sud-Est.


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